Tony Rice / David Grisman — Tone Poems (1994) – (Full album)



Tony Rice / David Grisman — Tone Poems (1994)

Tony Rice: guitars
David Grisman: mandolins

00:00 1. Turn of the Century
02:58 2. The Prisoner’s Waltz
07:19 3. Sam-Bino
09:58 4. Grandfather’s Clock
13:14 5. Good Old Mountain Dew
15:36 6. I Am a Pilgrim
19:12 7. Mill Valley Waltz
22:40 8. Vintage Gintage Blues
25:56 9. Don’t Want Your Mandolins Mister
28:16 10. Dawg After Dark
32:57 11. Wildwood Flower
35:47 12. Morning Sun
40:01 13. Banks of the Ohio
42:25 14. Swing ’42
45:30 15. Watson Blues
49:02 16. O Solo Mio
51:16 17. Song For Two Pamelas

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Fahad Hameed

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17 thoughts on “Tony Rice / David Grisman — Tone Poems (1994) – (Full album)

  • September 3, 2017 at 4:53 pm
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    ON THE OTHER HANDS, Rice waits and waits and then….. Right, surprises, leaves you leaning, waiting….

    Reply
  • September 3, 2017 at 4:53 pm
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    Grisman is a master, but much less there than meets the ear. I can anticipatate every perfect phrase. Yes ANICIPITATE……

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  • September 3, 2017 at 4:53 pm
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    Sounds great, I just wish the guitar would have been a little louder in the mix.

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  • September 3, 2017 at 4:53 pm
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    Such a great record! Grisman and Rice are like peas and carrots.

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  • September 3, 2017 at 4:53 pm
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    Thanks so much for posting. I am flying from Costa Rica for a Tony Rice tribute on September 28th. Unfortunately, Dave will be at the festival that I USUALLY go to the same weekend.

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  • September 3, 2017 at 4:53 pm
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    Bruno u r right its lovely.Listen to jerry garcia with grisman.Hope u like it.Take care

    Reply
  • September 3, 2017 at 4:53 pm
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    This is a great CD. Apart from the phenomenal musicianship, each tune was recorded with a different pair of vintage instruments (guitars and mandolins). The booklet that accompanies the CD has photos and descriptions of each instrument used…

    Reply
  • September 3, 2017 at 4:53 pm
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    A timeless guitar combo that displays counterpoint of 2 distinctive flat picking styles that are uniquely balanced within their tonal ranges.  The clarity and crispness enunciated in each note can be heard in a weave that carries a rhythmic feeling,  percussive unto itself.  They know each other's playing, the tonal spacing is flawless,at least to my ear.

    Reply
  • September 3, 2017 at 4:53 pm
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    It's amazing that copyrights mean nothing anymore thanks to hacks on the internet.

    Reply

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